{"id":19742,"date":"2024-09-20T12:15:26","date_gmt":"2024-09-20T10:15:26","guid":{"rendered":"https:\/\/www.albertogarciaalix.com\/?p=19742"},"modified":"2024-09-20T12:34:33","modified_gmt":"2024-09-20T10:34:33","slug":"garcia-alix-carta-blanca-sobre-los-fondos-fotograficos-del-caac","status":"publish","type":"post","link":"https:\/\/www.albertogarciaalix.com\/en\/2024\/09\/20\/garcia-alix-carta-blanca-sobre-los-fondos-fotograficos-del-caac\/","title":{"rendered":"Garc\u00eda-Alix, carte blanche on the CAAC photographic collections"},"content":{"rendered":"<p id=\"tw-target-text\" class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" data-placeholder=\"Traducci\u00f3n\" data-ved=\"2ahUKEwjA7_WqptGIAxW9T0EAHe_wMdsQ3ewLegQICBAU\" aria-label=\"Texto traducido: The Andalusian Center for Contemporary Art (CAAC) offers the photographer Alberto Garc\u00eda-Alix a carte blanche to review the extensive photographers owned by this institution, dependent on the Ministry of Culture and Sports of the Government of Andalusia. The result is an exhibition titled Diversity in the CAAC Collection. The photographic view of Alberto Garc\u00eda-Alix, where the photographer highlights the richness and diversity of this collection.\n\nTo develop this curatorial work, Alberto Garc\u00eda-Alix has carried out an in-depth and analytical review of the CAAC's photographic collections, exploring nearly 1,450 works, mostly coming from purchases and donations from artists who have previously exhibited at the museum. Garc\u00eda-Alix dedicated months of study \u201cto discover, classify and approach recurring themes throughout the collection: behavioral art and social images of the body, the social construction of the landscape, archival practices, memory and politics, photomontages, appropriationism . , AFAL, among others.\u201d His premise in this curatorial journey, where there has been \u201ca constant challenge of how to fuse such disparate perspectives,\u201d has been to \u201ccreate a visual and chromatic vibration of the collection.\u201d\"><span class=\"Y2IQFc\" lang=\"en\">The Andalusian Center for Contemporary Art (CAAC) offers the photographer Alberto Garc\u00eda-Alix a carte blanche to review the extensive the photographic holdings owned by this institution, dependent on the Ministry of Culture and Sports of the Government of Andalusia. The result is an exhibition titled <em>Diversity in the CAAC Collection. The photographic view of Alberto Garc\u00eda-Alix<\/em>, where the photographer highlights the richness and diversity of this collection. <\/span><\/p>\n<p><span class=\"Y2IQFc\" lang=\"en\">To develop this curatorial work, Alberto Garc\u00eda-Alix has carried out an in-depth and analytical review of the CAAC&#8217;s photographic collections, exploring nearly 1,450 works, mostly coming from purchases and donations from artists who have previously exhibited at the museum. Garc\u00eda-Alix dedicated months of study \u201cto discover, classify and approach recurring themes throughout the collection: behavioral art and social images of the body, the social construction of the landscape, archival practices, memory and politics, photomontages, appropriationism, AFAL, among others.\u201d His premise in this curatorial journey, where there has been \u201ca constant challenge of how to fuse such disparate perspectives,\u201d has been to \u201ccreate a visual and chromatic vibration of the collection.\u201d<\/span><\/p>\n<div class=\"page\" title=\"Page 1\">\n<p id=\"tw-target-text\" class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" data-placeholder=\"Traducci\u00f3n\" data-ved=\"2ahUKEwjA7_WqptGIAxW9T0EAHe_wMdsQ3ewLegQICBAU\" aria-label=\"Texto traducido: The exhibition, made up of some 250 works, is a reflection of the variety of visual proposals that characterizes the CAAC collection. \u201cEach work in the collection challenges me and has required careful reading. I must understand its message and its context,\u201d says Commissioner Alberto Garc\u00eda-Alix. The selected authors are completely different from each other, although complementary: Cristina Garc\u00eda Rodero, Mar\u00eda Ca\u00f1as, Pierre Gonnord, Agust\u00edn Parejo School, Ana Mendieta, Lotty Rosenfeld, Rogelio L\u00f3pez Cuenca, Nan Goldin, Valie Export, Carrie Mae Weems or the AFAL collective, among many others.\n\nAmong the works on display, for the first time at the CAAC, you can see ten photomontages by Antonio G\u00e1lvez, created between 1976-1979, called Antonio G\u00e1lvez and the decomposition of myths, among others. \u201cThe collection is a mirror where we can look at ourselves in the multiple facets of our life and society. We see the metropolis, the politics, the social landscape and the human. There is inclusion and tolerance, radicality and feminism,\u201d Garc\u00eda-Alix highlights.\"><span class=\"Y2IQFc\" lang=\"en\">The exhibition, made up of some 250 works, is a reflection of the variety of visual proposals that characterizes the CAAC collection. \u201cEach work in the collection challenges me and has required careful reading. I must understand its message and its context,\u201d says the curator Alberto Garc\u00eda-Alix. The selected authors are completely different from each other, although complementary: Cristina Garc\u00eda Rodero, Mar\u00eda Ca\u00f1as, Pierre Gonnord, Agust\u00edn Parejo School, Ana Mendieta, Lotty Rosenfeld, Rogelio L\u00f3pez Cuenca, Nan Goldin, Valie Export, Carrie Mae Weems or the AFAL collective, among many others. <\/span><\/p>\n<p class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" data-placeholder=\"Traducci\u00f3n\" data-ved=\"2ahUKEwjA7_WqptGIAxW9T0EAHe_wMdsQ3ewLegQICBAU\" aria-label=\"Texto traducido: The exhibition, made up of some 250 works, is a reflection of the variety of visual proposals that characterizes the CAAC collection. \u201cEach work in the collection challenges me and has required careful reading. I must understand its message and its context,\u201d says Commissioner Alberto Garc\u00eda-Alix. The selected authors are completely different from each other, although complementary: Cristina Garc\u00eda Rodero, Mar\u00eda Ca\u00f1as, Pierre Gonnord, Agust\u00edn Parejo School, Ana Mendieta, Lotty Rosenfeld, Rogelio L\u00f3pez Cuenca, Nan Goldin, Valie Export, Carrie Mae Weems or the AFAL collective, among many others.\n\nAmong the works on display, for the first time at the CAAC, you can see ten photomontages by Antonio G\u00e1lvez, created between 1976-1979, called Antonio G\u00e1lvez and the decomposition of myths, among others. \u201cThe collection is a mirror where we can look at ourselves in the multiple facets of our life and society. We see the metropolis, the politics, the social landscape and the human. There is inclusion and tolerance, radicality and feminism,\u201d Garc\u00eda-Alix highlights.\"><span class=\"Y2IQFc\" lang=\"en\">Among the works on display, for the first time at the CAAC, you can see ten photomontages by Antonio G\u00e1lvez, created between 1976-1979, called Antonio G\u00e1lvez and the decomposition of myths. \u201cThe collection is a mirror where we can look at ourselves in the multiple facets of our life and society. We see the metropolis, the politics, the social landscape and the human. There is inclusion and tolerance, radicality and feminism,\u201d Garc\u00eda-Alix highlights.<\/span><\/p>\n<p id=\"tw-target-text\" class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" data-placeholder=\"Traducci\u00f3n\" data-ved=\"2ahUKEwjA7_WqptGIAxW9T0EAHe_wMdsQ3ewLegQICBAU\" aria-label=\"Texto traducido: &quot;Alberto has faced the challenge of opening the lens to capture diversity and establish a coherent energy that nourishes and mixes the pieces of the exhibition. [...], with this carte blanche, he has judged worlds, actions and plasticities, ordering, measuring and adjusting elements to give this selection its own identity,&quot; says Jimena Bl\u00e1zquez Abascal, director of the Andalusian Center for Contemporary Art.\"><span class=\"Y2IQFc\" lang=\"en\">&#8220;Alberto has faced the challenge of opening the lens to capture diversity and establish a coherent energy that nourishes and mixes the pieces of the exhibition. [&#8230;], with this carte blanche, he has judged worlds, actions and plasticities, ordering, measuring and adjusting elements to give this selection its own identity,&#8221; says Jimena Bl\u00e1zquez Abascal, director of the Andalusian Center for Contemporary Art.<\/span><\/p>\n<div class=\"layoutArea\">\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"page\" title=\"Page 2\">\n<div class=\"layoutArea\">\n<p id=\"tw-target-text\" class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" data-placeholder=\"Traducci\u00f3n\" data-ved=\"2ahUKEwjA7_WqptGIAxW9T0EAHe_wMdsQ3ewLegQICBAU\" aria-label=\"Texto traducido: The exhibition can be visited in the North Claustron of the CAAC from September 20, 2024 to May 25, 2025.\"><span class=\"Y2IQFc\" lang=\"en\">The exhibition can be visited in the North Claustron of the CAAC from September 20th, 2024 to May 25th, 2025.<\/span><\/p>\n<p>More information at <a href=\"https:\/\/www.caac.es\/programa\/coleccionfotografias\/frame.htm\" target=\"_blank\" rel=\"noopener\"> Andalusian Center of Contemporary Art.<\/a><\/p>\n<p>Access the curatorial text <a href=\"https:\/\/www.caac.es\/descargas\/FolletoDiversidad_eng.pdf\" rel=\"noopener\">here<\/a>.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The Andalusian Center for Contemporary Art (CAAC) offers the photographer Alberto Garc\u00eda-Alix a carte blanche to review the extensive the photographic holdings owned by this institution, dependent on the Ministry of Culture and Sports of the Government of Andalusia. The result is an exhibition titled&#8230;<\/p>\n","protected":false},"author":2,"featured_media":19741,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[178],"tags":[189,278,279,280,281],"class_list":["post-19742","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-alberto-garcia-alix-en","tag-caac-en","tag-carta-blanca-en","tag-centro-andaluz-de-arte-contemporaneo-en","tag-diversidad-en-la-coleccion-del-caac-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Garc\u00eda-Alix, carte blanche on the CAAC photographic collections - Alberto Garc\u00eda Alix<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.albertogarciaalix.com\/en\/2024\/09\/20\/garcia-alix-carta-blanca-sobre-los-fondos-fotograficos-del-caac\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Garc\u00eda-Alix, carte blanche on the CAAC photographic collections - Alberto Garc\u00eda Alix\" \/>\n<meta property=\"og:description\" content=\"The Andalusian Center for Contemporary Art (CAAC) offers the photographer Alberto Garc\u00eda-Alix a carte blanche to review the extensive the photographic holdings owned by this institution, dependent on the Ministry of Culture and Sports of the Government of Andalusia. 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