{"id":17230,"date":"2017-09-28T11:26:20","date_gmt":"2017-09-28T09:26:20","guid":{"rendered":"http:\/\/www.albertogarciaalix.com\/works\/"},"modified":"2017-09-28T11:26:20","modified_gmt":"2017-09-28T09:26:20","slug":"works","status":"publish","type":"page","link":"https:\/\/www.albertogarciaalix.com\/en\/","title":{"rendered":"Works"},"content":{"rendered":"

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La ausencia como est\u00edmulo<\/a><\/h5>\n\n
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Fantasies at El Prado<\/a><\/h5>\n\n
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A false horizon<\/a><\/h5>\n\n
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Irreductibles<\/a><\/h5>\n\n
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Fierce Expressionism<\/a><\/h5>\n\n
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The place of no return<\/a><\/h5>\n\n
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SWEET MONSTER OF YOUTH<\/a><\/h5>\n\n
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MOTORCYCLE<\/a><\/h5>\n\n
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Self-portrait<\/a><\/h5>\n\n
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Valparaiso 2015<\/a><\/h5>\n\n
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Three sad videos<\/a><\/h5>\n\n
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The closest I’ve been to paradise<\/a><\/h5>\n\n
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Paradise of believers<\/a><\/h5>\n\n
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Biker<\/a><\/h5>\n\n
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Don\u2019t follow me, I’m lost<\/a><\/h5>\n\n
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Flesh and blood<\/a><\/h5>\n\n
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Beloved Homeland<\/a><\/h5>\n\n
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<\/div>\n <\/div>\n\n \n <\/div>[\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"

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